An overgrown paper boat and an ocean of hope
The performance GLG mixes togetherness with paracrobatics and weaves the dark and gloomy into solo acts that fill the stage.
Josefine R. Narverud
18 years
Josefine is from Drammen and has studied IT in high school. She is currently working as an apprentice.
Written by Josefine
Warning: Sawdust may occur
Sawdust Symphony creates circuses where the everyday and the absurd merge into each other, and where creativity knows no bounds.
Criticism Nysirkus Podcast
Like a ghost haunting Palestine
The Ghost in the Shell is an important play about two countries in a seemingly eternal conflict, disguised as a family drama.
Criticism Podcast Theater
A breathing space
The Turn of The Screw at the Norwegian Opera manages to bring out the disturbing atmosphere found in the over a hundred-year-old short story, as well as give it a fresh breath of topicality.
Opera Review Podcast
The Circus of Music
Cirqus Hialøs highlights the delicate balance between life and death, writes Josefine R. Narverud in this essay about why trust is important in circus art.
Criticism Essay Nysirkus
Essay: A view of women distorted to the recognizable
The new circus performance "The Shedding" paints a macabre picture of today's society and explores how far one is willing to go for others. How far are you willing to bend and fold yourself, to be loved?
Criticism Essay Nysirkus
A symbol of the darkness the world is drowning in
The performance Psychedelic Cave removes one of the most important senses of the audience; sight. What hides in the darkness? Destruction or creation?
Criticism Dance
A comic tragedy
Who would Macbeth have been if the events in the play had happened today? The reviewer recognizes a serial killer from the 1990s.
Criticism Theatre
Like black ink tattooed into the Norwegian folk soul
What is it really like to live in Norway these days? Does it feel like a warm and good hug? Where has the Norwegian folk soul gone? FUCK IT - a sick Norwegian performance asks important and critical questions about Norway and its politics.
Criticism Dance Theatre
Like a weapon that doesn't kill
“No, we will not give up,” says the actor in “The Revolution’s Promise.” The play tells heartbreaking stories from the occupied West Bank.
Criticism Theatre
A silent fight against the rolling machines – an important food for thought
Jefta Van Dinther's Remachine explores how we must constantly be in motion so that the world doesn't run away from us. I think this is a realistic picture wrapped in a dance performance that many can identify with.
Criticism Dance
Honest, raw, spit and hysterical laughter
Who has the power to keep a patient in a place they don't want to be? How can words create chaos, confusion and frustration? These are questions that the performance Blue/Orange raises.
Criticism Theatre
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