A sitcom on stage

The hours fly by because of good humor and storytelling, writes Filip Jørgensen (16) about The Spanish Fly.
Criticism Farce Theatre

A love poem from a street boy

Oliver Lovrenski's "When We Were Younger" evokes laughter, nostalgia and sadness at Det Norske Teatret.
Criticism Theatre

Pitch-dark depictions of our most helpless sides

Morten Espeland makes Melancholia II an almost unbearably strong experience. But when the form is repeated in Melancholia I, the performance loses some of its mystery.
Criticism Performing Arts

The world's best circus, failing theater

What can I, a young man at the beginning of my adult life, get out of Pippi at the circus? Asks Aksel August Ruud Raustøl.
Criticism Musical Theatre Nysirkus Theatre

I thought: boring

Arne Lygre's new play "Give Me Your Hand" tries to be a humorous family drama, but even though the actors are good, it doesn't work well when the play is boring.  
Criticism Theatre

Between theater magic and self-therapy

Meliorism will accommodate everything: heartbreak, fathers, loneliness, emergency supplies and the meaning of life. Not everything works, but when the performance hits the mark, it feels as if someone has taken the mind of a 19-year-old and laid it out straight on the stage floor.
Criticism Theatre

Smile at the world, maybe it will smile back.

The Central Revue gives us smiles, laughter and sausages, but gets lost in the meeting between the revue and the theater.

Pippi's spectacular trick

"Pippi at the Circus" is an hour and a half of good humor, catchy music and wild circus tricks!
Criticism Nysirkus Theatre

Kallocain – a love letter to art

THE CHOSEN ONES? A bit cocky, but absolutely right, writes Jørgen Cleve Broch about Kallocain.
Criticism Theatre