Magazine about performing arts, by young voices

The guys at Det Norske Teatret are so stupid that it's funny, writes Fiona Åtland (20) in this illustrated review.

Katona József Theatre from Budapest has created an emotionally intense modernization of Ibsen's classic, which shows Hedda's feeling of emptiness and loss of control.

"2002 ntoro yume" is not for the easily offended!

"Unanswered Calls" shows us how important and effective it can be to create theater for today's youth about terrorist acts.

The original was better, says Ima Etokebe about the National Theatre's "The Lady from the Sea". She was disappointed, but almost laughed at herself for a six-pack.

Frankenstein is a short performance that dips its toes into something that could be very exciting.

I expected a big dance number and show, but was instead met with a single actor on a simple stage.

Josefine R. Narverud saw the performance "Treework" before the summer. "Treework" was described as an opera for the trees and the people and was performed in Østmarka outside Oslo. The performance gave a lot of room for one's own interpretations and thoughts. This text is a response to this invitation, written partly immediately after seeing “Treework” and partly a few months later.

On Thursday, September 10, IKEA came to Østfold in two formats. One as a physical store, and the other as a musical. Unfortunately, I made the trip to the wrong IKEA.

On May 17th I waved the flag from the moment I got up until I went to bed. I rowed for Norway-Brazil and had mild national mourning when we lost to England. Today I cheered for Arne Treholt, a traitor. How the hell?

The Sisters is one of the biggest ventures of the theater season, but the brand new performance is a crumbly cake on stage, sprinkled with cream, jam and grandiose wishes.

The performance HEKS shows the prejudices that all women faced during the Reformation, regardless of who they were.

Before I Wake shows the invisible struggles of youth through dreams.