Magazine about performing arts, by young voices

I expected a big dance number and show, but was instead met with a single actor on a simple stage.

Josefine R. Narverud saw the performance "Treework" before the summer. "Treework" was described as an opera for the trees and the people and was performed in Østmarka outside Oslo. The performance gave a lot of room for one's own interpretations and thoughts. This text is a response to this invitation, written partly immediately after seeing “Treework” and partly a few months later.

On Thursday, September 10, IKEA came to Østfold in two formats. One as a physical store, and the other as a musical. Unfortunately, I made the trip to the wrong IKEA.

On May 17th I waved the flag from the moment I got up until I went to bed. I rowed for Norway-Brazil and had mild national mourning when we lost to England. Today I cheered for Arne Treholt, a traitor. How the hell?

The Sisters is one of the biggest ventures of the theater season, but the brand new performance is a crumbly cake on stage, sprinkled with cream, jam and grandiose wishes.

The performance HEKS shows the prejudices that all women faced during the Reformation, regardless of who they were.

Before I Wake shows the invisible struggles of youth through dreams.

Then little happens.

The Wild Duck meets our contemporary world with humor, neon colors, and fragile masculinity.

At the Central Theatre, the shabby dresser is played with great emotion by an actor in his 30s. It does something to the play.

“Elva” is an incredibly important performance that shows a brutal truth in a beautiful way. I hope “Elva” never stops playing.

In an attempt to dig up the painful and the awkward in Alf Pøysen's lesser-known stump songs and songs, there is little room for the humor and the oblique view that makes Prøysen so unique.

Mura gave me an impression of war and what it was like in the past. I thought it would be boring, but it wasn't.