Påklederen er i mistenkelig god form
På Centralteatret er den loslitte påklederen spilt med store emosjoner av en skuespiller i 30-årene. Det gjør noe med stykket.
Fiona Atland
20 years
Fiona is from Drammen. She studied drama at St. Hallvard Upper Secondary School and worked as a theatre assistant for people with disabilities. She currently lives in London.
Written by Fiona
A big sigh
In an attempt to dig up the painful and the awkward in Alf Pøysen's lesser-known stump songs and songs, there is little room for the humor and the oblique view that makes Prøysen so unique.
Criticism Musical Theatre
Peer Perez Øian's first act is a masterpiece!
Thorbjørn Harr creates a playful and nuanced character study, where the music opens up for an unexpectedly vulnerable Peer Gynt. But it seems as if the first and second acts were directed by two different people.
Criticism Theatre
The playwright behind Prima Facie takes on a new challenge
In “Inter Alia,” former attorney Suzie Miller shows that abusers can come from all types of families.
Criticism Theatre
Radio Theatre returns to Lier Cultural Center
A children's performance, developed for the visually impaired, shows how the uniqueness of radio theater can be transferred to the stage.
Essay Criticism Sound Theatre Theatre
The Dancing Mormons Reflect the American Dream
Fiona Åtland (19) has seen The Book of Mormon in both London and Oslo, and writes that the Folketeatret delivers a stylish and tight version.
Criticism Musical Theatre
Who has time to get involved with this particular pair of friends?
Fiona Åtland has seen Teater Leikhus's performance You Mean All the Words and in this commentary she takes a look at audience development and theatre in Norway in general.
Criticism Commentary Theatre
Logical flaws and stereotypical images
Faysa Idle's story deserved smarter direction.
Criticism Theatre
A naive twist on Astrid Lindgren's Ronja the Robber's Daughter
The children's theater in Frognerparken works well as light and charming summer entertainment, but could also be used as a means to explore difficult topics for both children and adults.
Criticism Theatre
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