Like a ghost haunting Palestine
The Ghost in the Shell is an important play about two countries in a seemingly eternal conflict, disguised as a family drama.
The Norwegian Theatre
Far away, but too close
Gaia Prestø Nielsen (18) likes the moves made with Les Miserables at the Norwegian Theatre. However, she is not taken aback.
A visual journey through fantasy and reality
Although "The Never-Ending Story" is visually impressive and has several strong scenic moments, there are some weaknesses in the direction and dramaturgy that gave me the feeling that the play really became a "never-ending story", for better or worse, writes Elianne Kvammen.
Who has time to get involved with this particular pair of friends?
Fiona Åtland has seen Teater Leikhus's performance You Mean All the Words and in this commentary she takes a look at audience development and theatre in Norway in general.
Sugar, satire with a serious undertone
“Sugar” uses humor, satire, and brutal honesty to expose how skewed representation can become when it is controlled by those outside the target audience.
Logical flaws and stereotypical images
Faysa Idle's story deserved smarter direction.
Fight! – A disappointing experience
ONLY SLIME attempts to transfer the world of video games to the theater stage in "Fight!", but stumbles in its own ambitions.
Unfiltered human encounters are camouflaged behind computer games and gaming characters
Tani Dibasey innovates for the stage with the virtual world in the performance "Fight", but a bumpy execution means that the theatrical experience does not reach its full potential.
Psychic- High and low on stage
With a mix of surreal elements, graphic shocks and unexpected humor, Psychic asks questions about societal pressures and our own identity, but does it really hit the mark?
Uneven, but entertaining
Psychic is a play with an exciting concept, but one that doesn't live up to its potential. Here, Samuel Oldaker from Unge stemmer talks about the play.