The world's best circus, failing theater
What can I, a young man at the beginning of my adult life, get out of Pippi at the circus? Asks Aksel August Ruud Raustøl.
Theater
I thought: boring
Arne Lygre's new play "Give Me Your Hand" tries to be a humorous family drama, but even though the actors are good, it doesn't work well when the play is boring.
Between theater magic and self-therapy
Meliorism will accommodate everything: heartbreak, fathers, loneliness, emergency supplies and the meaning of life. Not everything works, but when the performance hits the mark, it feels as if someone has taken the mind of a 19-year-old and laid it out straight on the stage floor.
Pippi's spectacular trick
"Pippi at the Circus" is an hour and a half of good humor, catchy music and wild circus tricks!
Kallocain – a love letter to art
THE CHOSEN ONES? A bit cocky, but absolutely right, writes Jørgen Cleve Broch about Kallocain.
The playwright behind Prima Facie takes on a new challenge
In “Inter Alia,” former attorney Suzie Miller shows that abusers can come from all types of families.
Radio Theatre returns to Lier Cultural Center
A children's performance, developed for the visually impaired, shows how the uniqueness of radio theater can be transferred to the stage.
Viggo, your good friend
Viggo Venneløs is an improv comedy-storytelling performance without speaking that is about being alone in life.
Like a ghost haunting Palestine
The Ghost in the Shell is an important play about two countries in a seemingly eternal conflict, disguised as a family drama.
Beautiful but confusing
"The Knife in the Fire" at the National Theatre offers a beautiful visual depiction of Kven culture and a life on a journey through the North Sea. The forces of nature and people are set in motion on stage, but are dampened by a heavy, literary stage text and poor timing.