Pippi's spectacular trick

"Pippi at the Circus" is an hour and a half of good humor, catchy music and wild circus tricks!
Criticism Nysirkus Theatre

Kallocain – a love letter to art

THE CHOSEN ONES? A bit cocky, but absolutely right, writes Jørgen Cleve Broch about Kallocain.
Criticism Theatre

The playwright behind Prima Facie takes on a new challenge

In “Inter Alia,” former attorney Suzie Miller shows that abusers can come from all types of families.
Criticism Theatre

Radio Theatre returns to Lier Cultural Center

A children's performance, developed for the visually impaired, shows how the uniqueness of radio theater can be transferred to the stage.
Essay Criticism Sound Theatre Theatre

Viggo, your good friend

Viggo Venneløs is an improv comedy-storytelling performance without speaking that is about being alone in life.
Criticism Impro Clown Theatre

Like a ghost haunting Palestine

The Ghost in the Shell is an important play about two countries in a seemingly eternal conflict, disguised as a family drama.
Criticism Podcast Theater

Beautiful but confusing

"The Knife in the Fire" at the National Theatre offers a beautiful visual depiction of Kven culture and a life on a journey through the North Sea. The forces of nature and people are set in motion on stage, but are dampened by a heavy, literary stage text and poor timing.
Criticism Podcast Theater

Far away, but too close

Gaia Prestø Nielsen (18) likes the moves made with Les Miserables at the Norwegian Theatre. However, she is not taken aback.

A story we need to hear: When death becomes everyday life

Tobasi played with humor, sadness, and rage, and you were drawn into the story as he told it so vividly. The seriousness of the situation became clear, and you started to ask the question "what could they have done today if they hadn't lived under such circumstances?"
Criticism Festival Editorial Team Theatre
Lucas, Helle and Oliver (15 years)

Exciting story and very coolly performed

Apart from the screens on the floor, the classroom looks like a normal classroom. The narrators are wearing everyday clothes and two of them are sitting among us at the desks. The fact that the performance takes place in a normal classroom makes the whole story seem much more real and realistic.
Criticism Festival Editorial Team Theatre
Helle and Synnøve (15 years old)