The man's life lie
The Wild Duck meets our contemporary world with humor, neon colors, and fragile masculinity.
Theater
The dresser is in suspiciously good shape.
At the Central Theatre, the shabby dresser is played with great emotion by an actor in his 30s. It does something to the play.
Thought-provoking
Mura gave me an impression of war and what it was like in the past. I thought it would be boring, but it wasn't.
I felt like giving a hug.
When theatre succeeds, you forget you're sitting in an auditorium, and this happens from the first line to the last applause in Anna Breaks. With a good balance between seriousness and humour, this becomes a theatre experience that is both engaging and touching.
Vulnerable
At first, Infinite Life seemed like something I could have done in my middle school art class. But without realizing it, I find myself sitting there with tears in my eyes, making eye contact with the actors on stage.
Peer Perez Øian's first act is a masterpiece!
Thorbjørn Harr creates a playful and nuanced character study, where the music opens up for an unexpectedly vulnerable Peer Gynt. But it seems as if the first and second acts were directed by two different people.
Axel's little criticism crisis
What is the role of critics in the world of theatre? Aksel August has pondered this throughout the Hedda Festival – and life in general.
A showdown with forgiveness
Is forgiveness something brave and beautiful, or a commodity that must be traded when you have nothing else? Who benefits from it? The one who forgives or the one who is forgiven?
Warm exploration of the imagination
DIY that really works, the primal child and a tribute to the imagination. Young voices have seen this year's performance at the Summer Theatre, by the second class at the Theatre Academy.
A sitcom on stage
The hours fly by because of good humor and storytelling, writes Filip Jørgensen (16) about The Spanish Fly.