Sugar, satire with a serious undertone

“Sugar” uses humor, satire, and brutal honesty to expose how skewed representation can become when it is controlled by those outside the target audience. 

An interesting performance that raises more questions than answers

Blue Men is not a perfect performance, but it carries a sincerity that makes it rare, writes Rose Aguta (20).

A good taste of Shakespeare

I'm not a fan of "Romeo and Juliet", but I think it was magical in Tigerstad Theatre's version in Sofienberg Church, writes Gaia Isabel Prestø Nielsen (18).

A comic tragedy 

Who would Macbeth have been if the events in the play had happened today? The reviewer recognizes a serial killer from the 1990s.

Like black ink tattooed into the Norwegian folk soul

What is it really like to live in Norway these days? Does it feel like a warm and good hug? Where has the Norwegian folk soul gone? FUCK IT - a sick Norwegian performance asks important and critical questions about Norway and its politics.
Criticism Dance Theatre

Music acts as a lifeline in newly written Hellbillies musical

"The Finest I Know" is a warm theater performance about belonging to a family, whether you want to or not. The play aims broadly, but it's the music that ends up hitting the mark.
Criticism Musical Theatre Theatre

When the show is over, what do we do?

Feil Theatre's Not That Kind of Story is a raw and precise story about youth, exclusion and the path to radicalization.

Song, dance and chaos with a good dose of glitter

Rose Aguta (20) has seen The Rocky Horror Show - and comments on the debate about the criticism of the show.
Criticism Musical Theatre Theatre

Like a weapon that doesn't kill

“No, we will not give up,” says the actor in “The Revolution’s Promise.” The play tells heartbreaking stories from the occupied West Bank.