I thought: boring
Arne Lygre's new play "Give Me Your Hand" tries to be a humorous family drama, but even though the actors are good, it doesn't work well when the play is boring.
The National Theatre
Between theater magic and self-therapy
Meliorism will accommodate everything: heartbreak, fathers, loneliness, emergency supplies and the meaning of life. Not everything works, but when the performance hits the mark, it feels as if someone has taken the mind of a 19-year-old and laid it out straight on the stage floor.
Kallocain – a love letter to art
THE CHOSEN ONES? A bit cocky, but absolutely right, writes Jørgen Cleve Broch about Kallocain.
Impressive storytelling
In the monologue performance "1969," Kate Pendry travels through present-day and childhood London, searching for answers and reconciliation. The audience is invited along, but must work to stay connected throughout.
Who has time to get involved with this particular pair of friends?
Fiona Åtland has seen Teater Leikhus's performance You Mean All the Words and in this commentary she takes a look at audience development and theatre in Norway in general.
A comic tragedy
Who would Macbeth have been if the events in the play had happened today? The reviewer recognizes a serial killer from the 1990s.
A fight with words
Prima Facie is like getting a punch in the stomach - but something I still highly recommend.
Prima Facie – Completely blown away
Prima Facie made me reflect on things I've never thought about before, writes Elianne Kvammen (15).
A show I never wanted to end
"You Deserve This" is an intense, thought-provoking experience that not only entertains, but also challenges our attitudes towards power, justice, and the society we live in.