An intimate room in the middle of Oslo
An evening of taste, stories and dancing at Hooman Sharifi's home. With "To be means to resist what you are not (home version)", Sharifi opened his home to 14 guests, and I was one of them.
Criticism
Performing arts criticism written by youth.
A naive twist on Astrid Lindgren's Ronja the Robber's Daughter
The children's theater in Frognerparken works well as light and charming summer entertainment, but could also be used as a means to explore difficult topics for both children and adults.
Fight! – A disappointing experience
ONLY SLIME attempts to transfer the world of video games to the theater stage in "Fight!", but stumbles in its own ambitions.
A silent fight against the rolling machines – an important food for thought
Jefta Van Dinther's Remachine explores how we must constantly be in motion so that the world doesn't run away from us. I think this is a realistic picture wrapped in a dance performance that many can identify with.
A show I never wanted to end
"You Deserve This" is an intense, thought-provoking experience that not only entertains, but also challenges our attitudes towards power, justice, and the society we live in.
Blue Orange: A gripping drama about mental illness and institutional betrayal
Blue Orange makes a strong impression on this reviewer, leaving her with an unease that lingers long after the applause dies down.
Kill Devil is one of the best plays I've seen.
The performance is important for society. Both because puppet theater is threatened and because we don't learn about slavery in Denmark-Norway in school, argues Samuel Oldaker (20) in this audio critique.
Unfiltered human encounters are camouflaged behind computer games and gaming characters
Tani Dibasey innovates for the stage with the virtual world in the performance "Fight", but a bumpy execution means that the theatrical experience does not reach its full potential.
Psychic- High and low on stage
With a mix of surreal elements, graphic shocks and unexpected humor, Psychic asks questions about societal pressures and our own identity, but does it really hit the mark?