The central revue – a Wiener with everything

Young Voices critic Jørgen Cleve Broch and mentor and critic Per Christian Selmer-Anderssen went to the Centralrevyen for the premiere. After the performance, they sat on the outdoor terrace at Fuglen and talked about what they had seen. The sound was poor due to drunk men in the background and poor technique, so here is an edited transcript in text form.
News Conversation Revue

Smile at the world, maybe it will smile back.

The Central Revue gives us smiles, laughter and sausages, but gets lost in the meeting between the revue and the theater.

From social criticism to melodrama

Oslo Nye Teater's version of “The Young One” is exciting, funny and moving. But after the play, you are left with the feeling that the message disappeared behind the scenes.
Criticism Musical Theatre Podcast

A cozy, engaging and playful start to Christmas 

Christmas with Prøysen and Carpenter Andersen combines playful acting, impressive puppetry and audience involvement in an hour of Christmas joy that engages both children and "slightly older children".
Criticism Puppet Theatre

Song, dance and chaos with a good dose of glitter

Rose Aguta (20) has seen The Rocky Horror Show - and comments on the debate about the criticism of the show.
Criticism Musical Theatre Theatre

The Rocky Horror Show – Is it just a show?

The cult classic creates celebration and community at Centralteatret, but misses the opportunity to leave the audience with something more than just festivities.
Criticism Musical Theatre Theatre

Blue Orange: A gripping drama about mental illness and institutional betrayal

Blue Orange makes a strong impression on this reviewer, leaving her with an unease that lingers long after the applause dies down.
Criticism Theatre

Honest, raw, spit and hysterical laughter

Who has the power to keep a patient in a place they don't want to be? How can words create chaos, confusion and frustration? These are questions that the performance Blue/Orange raises.