Thought-provoking
Mura gave me an impression of war and what it was like in the past. I thought it would be boring, but it wasn't.
By Veslemøy Kamfjord
The performance Mura was shown in a small hall at the Market for Music and Performing Arts in Sandefjord. It was a mix of theater and music, with a lot of drama and humor about war, Hitler and Nazism.
When I entered the room, I saw that someone was sitting on top of the bed playing guitar, and below there were two people playing cards. They were talking to each other and having a good time together. There were three people there, two girls and one boy, and everyone had a lot of energy.
At first they started singing a mix of opera and joik. It was a bit like that – I didn't understand anything, to be honest. And I didn't really like that, because I like to understand what people are saying and singing.
What impressed me the most was when they talked about war and what it was like in the past. And I find that very fascinating. There was a lot of information about what it was like before and what life was like then. And I find that very exciting and educational. But it was a bit difficult to understand when they spoke other languages. So it was good that they translated into English and Norwegian.
I thought "Mura" was going to be boring, but it wasn't at all. I found it very entertaining and funny. I learned a lot about the war that I didn't know and there was a lot of good humor that I like.
Published
September 1, 2026
Mura - NIE
By: NIE
Directed by: Kjell Moberg
Assistant director: Aicha Roubíčková
Music: Anna Moberg, Embla Persdottir
Production: Iva Moberg, Alena Novotná
With: Alena Novotná, Audun Brattegard Oseid, Embla Persdottir
Photo: Lars Opstad, Kjell Moberg
August 28, The Market for Music and Performing Arts. Sandefjord
Young Voices in the Market
Young Voices collaborates annually with Markedet for musikk og scenekunst, where a new, local editorial team of young people from a local secondary school follows the festival every year, and reflects on the performances they see continuously. Festival editorial teams were the starting point for the start of Unge Stemmer in 2012. The editorial team at Markedet in 2026 consists of Edvard, Amalie, Aurora, Amelia, Eileen, Lina, Veslemøy and Nathaniel from 10th grade.
The festival editorial team is younger than the year-round editorial team and works faster and more workshop-based. They have had critic Maren Ørstavik as a mentor.